Miniature and Baroque shoes
29 October 2015
14 October 2015
To celebrate its fifteenth birthday, AD France has asked 12 French architects/interior designers to fit out the equivalent number of living areas in the modernist picturesque setting in reinforced concrete of Palais d’Iéna, built in 1939 by the architect Auguste Perret.
The creative people invited, Alexandre de Betak, Bismut & Bismut, Dimore studio, Damien Langlois-Meurinne, Luis Laplace, Thierry Lemaire, Gwenael Nicolas, Patrick Nourget, Oitoemponto, Isabelle Stanislas, Daniel Suduca e Thierry Merrilou have recreated different domestic living areas, destined to astound thanks to a scrupulous research of original designs, furnishings and upholstery of various eras and styles, matched in freedom of choice with sure taste. The fitting out of the exposition, conceived by Adrien Gardère, is made up of a series of ‘boxes’ in reinforced concrete, with rough exteriors, which inside reveal wonders.
WHERE: 9 Place d’Iéna, 75016 Paris, France
To celebrate its fifteenth birthday, AD France has asked 12 French architects/interior designers to fit out the equivalent number of living areas in the modernist picturesque setting in reinforced concrete of Palais d’Iéna, built in 1939 by the architect Auguste Perret.
The creative people invited, Alexandre de Betak, Bismut & Bismut, Dimore studio, Damien Langlois-Meurinne, Luis Laplace, Thierry Lemaire, Gwenael Nicolas, Patrick Nourget, Oitoemponto, Isabelle Stanislas, Daniel Suduca e Thierry Merrilou have recreated different domestic living areas, destined to astound thanks to a scrupulous research of original designs, furnishings and upholstery of various eras and styles, matched in freedom of choice with sure taste. The fitting out of the exposition, conceived by Adrien Gardère, is made up of a series of ‘boxes’ in reinforced concrete, with rough exteriors, which inside reveal wonders.
WHERE: 9 Place d’Iéna, 75016 Paris, France
The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.