Scarves of the World
14 January 2016
26 October 2016
Florence’s Palazzo Strozzi is hosting a solo exhibition dedicated to non-conformist Chinese artist, Ai Weiwei. Arturo Galansino, the director of the Fondazione Palazzo Strozzi, is curating the exhibition, which will continue until January 22nd, 2017. The building, dating back to the Renaissance, is invaded by the artist’s creativity, from floor to façade. The windows are framed by gigantic, orange lifeboats, a stark commentary on migrants’ destinies after arriving on the shores of Sicily.
Inside, a series of “historic” works made from everyday objects are on display, as well as more modern ones, including tiny Lego portraits. The ground floor is filled with photos and videos of the artist at work in his studio, surrounded by a host of cats. The collection illustrates how for the artist, art is life. “I never separate art from other activities”, he says. “Politics always have an impact on my work, and I do not stop being an artist when I am involved in human rights. Everything is art, everything is political”.
WHERE: P.zza Strozzi 50123 Firenze
Florence’s Palazzo Strozzi is hosting a solo exhibition dedicated to non-conformist Chinese artist, Ai Weiwei. Arturo Galansino, the director of the Fondazione Palazzo Strozzi, is curating the exhibition, which will continue until January 22nd, 2017. The building, dating back to the Renaissance, is invaded by the artist’s creativity, from floor to façade. The windows are framed by gigantic, orange lifeboats, a stark commentary on migrants’ destinies after arriving on the shores of Sicily. Inside, a series of “historic” works made from everyday objects are on display, as well as more modern ones, including tiny Lego portraits. The ground floor is filled with photos and videos of the artist at work in his studio, surrounded by a host of cats. The collection illustrates how for the artist, art is life. “I never separate art from other activities”, he says. “Politics always have an impact on my work, and I do not stop being an artist when I am involved in human rights. Everything is art, everything is political”.
The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.