Cats & Friends
17 September 2015
22 December 2016
Vicenza’s Bisazza, a noteworthy flooring company, launched their latest collection, Wood, this past November. The collections, designed by Edward Van Vliet, Kiki van Eijk and Studio Job, were more than simply innovative. The designers, all hailing from different places and expressive backgrounds, played with colours, shapes, and unusual combinations, some inspired by other materials. Edward Van Vliet used natural wood and aniline blue to recreate the look of octagonal ceramics. The ever-surprising duo from Antwerp, Studio Job (Job Smeets e Nynke Tynagel), created a 3D effect through various shading. Kiki Van Eijk created compositions of wooden octagons, in tones that range from maple white to chestnut’s dense brown, decorated with floral engraving. St. Petersburg’s Hermitage shows us that traditional wood flooring is the key to valueable and original décor.
WHERE: Viale Milano, 56 – 36075 Alte di Montecchio Maggiore (VI) – Italy
Vicenza’s Bisazza, a noteworthy flooring company, launched their latest collection, Wood, this past November. The collections, designed by Edward Van Vliet, Kiki van Eijk and Studio Job, were more than simply innovative. The designers, all hailing from different places and expressive backgrounds, played with colours, shapes, and unusual combinations, some inspired by other materials. Edward Van Vliet used natural wood and aniline blue to recreate the look of octagonal ceramics. The ever-surprising duo from Antwerp, Studio Job (Job Smeets e Nynke Tynagel), created a 3D effect through various shading. Kiki Van Eijk created compositions of wooden octagons, in tones that range from maple white to chestnut’s dense brown, decorated with floral engraving. St. Petersburg’s Hermitage shows us that traditional wood flooring is the key to valueable and original décor.
The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.