Gypsy Carpets
24 November 2016
13 October 2016
The jewelry brand Iosselliani has recently come out with a home accessories collection, presented in Arezzo’s Nero Gallery, which specializes in well-known design. This collection, certainly a departure from the company’s others, was created by Roberta Paolucci, Paolo Giacomelli and Veronica Nobile Mino using the iconic materials, techniques and repertoires that distinguish Iosselliani’s jewelry line. The knowledge and iconography of the goldsmiths marries modern design, resulting in lamps, candlesticks, and mirrors that are an alchemy of 18-karat gold plated bronze, African, portoro, white and black Aquitania marble, zirconium, and silk. The collection’s name refers to the decorative elements’ “acrobatic” assembly. The iconic panthers and skulls are arranged into patterns that encircle the entire structure of each object. The pieces of “Circus Collection” are based on traditional forms used in bronze casting.
WHERE: 5, Piazza San Francesco 52100 Arezzo
The jewelry brand Iosselliani has recently come out with a home accessories collection, presented in Arezzo’s Nero Gallery, which specializes in well-known design. This collection, certainly a departure from the company’s others, was created by Roberta Paolucci, Paolo Giacomelli and Veronica Nobile Mino using the iconic materials, techniques and repertoires that distinguish Iosselliani’s jewelry line. The knowledge and iconography of the goldsmiths marries modern design, resulting in lamps, candlesticks, and mirrors that are an alchemy of 18-karat gold plated bronze, African, portoro, white and black Aquitania marble, zirconium, and silk. The collection’s name refers to the decorative elements’ “acrobatic” assembly. The iconic panthers and skulls are arranged into patterns that encircle the entire structure of each object. The pieces of “Circus Collection” are based on traditional forms used in bronze casting.
The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.