Ai Weiwei. Libero.
26 October 2016
18 February 2015
Sophisticated and intimate images, those created with the help of a digital camera by the Spaniard Mario Monforte. Despite his name sounding Italian, Monforte was born in Spain and currently lives and works in Madrid. As a graduate in the History of Ancient Art and Archaeology he skilfully draws from his cultural background to give life to his research work. A wonderful example of sophisticated reference to the past is the series “Memento Mori”, composed of twelve photographs that reinterpret in a contemporary key the Vanitas. From medieval still life paintings, symbol of the transience of life, Monforte has taken the human skull, placing it at the centre of his compositions that see it “dressed” in a different way from time to time. The skull is flanked by fruit or vegetables – perishable material, and therefore a further symbol of death – or it is surrounded by diamonds and precious objects as if it were an invitation to enjoy the beauty of life because, inevitably, everything will have an inexorable end.
Sophisticated and intimate images, those created with the help of a digital camera by the Spaniard Mario Monforte. Despite his name sounding Italian, Monforte was born in Spain and currently lives and works in Madrid. As a graduate in the History of Ancient Art and Archaeology he skilfully draws from his cultural background to give life to his research work. A wonderful example of sophisticated reference to the past is the series “Memento Mori”, composed of twelve photographs that reinterpret in a contemporary key the Vanitas. From medieval still life paintings, symbol of the transience of life, Monforte has taken the human skull, placing it at the centre of his compositions that see it “dressed” in a different way from time to time. The skull is flanked by fruit or vegetables – perishable material, and therefore a further symbol of death – or it is surrounded by diamonds and precious objects as if it were an invitation to enjoy the beauty of life because, inevitably, everything will have an inexorable end.
The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.