Creative Exuberance
15 September 2016
5 January 2015
Two recent exhibitions at the Milan Triennale were sparkling: Copper crossing (16th September to 9th November 2014) dedicated to the history and artefacts of copper, conceived and promoted by Elena Tettamanti, sponsored by the European Copper Institute, organised by Migliore & Servetto, and Communicating Vases by Tarshito (21st October to 30th November, 2014), organised by Silvana Annicchiarico. The first, which proposed a journey, through works of art, design and architecture, technical and scientific applications, photographs and video, in which copper was the main theme, and in the design section there were over 100 objects, some of them not seen before, designed by eminent names.
The second showed large gleaming golden vases created by Tarshito, (Nicola Strippoli) a designer from Bari, who has found his path of wisdom and art in India. In the vase, an archetypal structure intended to contain, Trashito has found the form par excellence and replicates them in different sizes, materials and finishes. The gilded series, created for the exhibition at the Triennale, evidences Tarshito’s ties with Byzantine art and shows his talent in making primordial functional forms sacred and precious.
Two recent exhibitions at the Milan Triennale were sparkling: Copper crossing (16th September to 9th November 2014) dedicated to the history and artefacts of copper, conceived and promoted by Elena Tettamanti, sponsored by the European Copper Institute, organised by Migliore & Servetto, and Communicating Vases by Tarshito (21st October to 30th November, 2014), organised by Silvana Annicchiarico. The first, which proposed a journey, through works of art, design and architecture, technical and scientific applications, photographs and video, in which copper was the main theme, and in the design section there were over 100 objects, some of them not seen before, designed by eminent names.
The second showed large gleaming golden vases created by Tarshito, (Nicola Strippoli) a designer from Bari, who has found his path of wisdom and art in India. In the vase, an archetypal structure intended to contain, Trashito has found the form par excellence and replicates them in different sizes, materials and finishes. The gilded series, created for the exhibition at the Triennale, evidences Tarshito’s ties with Byzantine art and shows his talent in making primordial functional forms sacred and precious.
The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.