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7 July 2015

Daniela Forti

Cristina Morozzi

by

She lives and works in Tuscany, in the Chianti area, where she created her works of art by glass fusing. After experience as an interior decorator, she fell in love with glass and its plasticity and dedicated herself to moulding it into fluid forms, individualizing a personal interpretation of this malleable substance. Her creations are not solid objects, but seem to be natural phenomena such as waterfalls, rain drops and sparks of fire.

glass_Daniela-Forti
fusing_Daniela-Forti_vetro

Thanks to the expertise, gained through years of dedication in this special field, now her assiduous companion of life possesses a vital inspiration. More than objects, temporal mutations seem to of natural elements, caught in a moment of their continuous transformation, revealing the disturbing beauty of fleeting things.

3_Daniela-Forti_vetro
red-glass-art_Daniela-Forti_vetro

WHERE: Via Lucignano, 65, 50025 Montespertoli (FI) Italy

She lives and works in Tuscany, in the Chianti area, where she created her works of art by glass fusing. After experience as an interior decorator, she fell in love with glass and its plasticity and dedicated herself to moulding it into fluid forms, individualizing a personal interpretation of this malleable substance. Her creations are not solid objects, but seem to be natural phenomena such as waterfalls, rain drops and sparks of fire.
Thanks to the expertise, gained through years of dedication in this special field, now her assiduous companion of life possesses a vital inspiration. More than objects, temporal mutations seem to of natural elements, caught in a moment of their continuous transformation, revealing the disturbing beauty of fleeting things.
WHERE: Via Lucignano, 65, 50025 Montespertoli (FI) Italy

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The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.