Ad interieur
14 October 2015
24 March 2016
René Lalique knew that the magic of his creations, Art Nouveau and Art Déco jewellery and crystal decorative objects, depended on reflection. Today, the company employs the eight best artisans in France. The artistic edition Geo, presented during January’s ‘Maison&Objet 2016’, perpetuates the ambitions of the company’s founding father. The architect Mario Botti is responsible for the Geo vases; he was inspired by Le Corbusier’s idea that architecture is, “…the magnificent play of masses brought together in light”.
Ferrara’s Palazzo di Diamanti’s rustication served as inspiration for the series of 8 vases’ faceted surface. Geo is available in black and transparent versions, and stands out from the brand’s panorama, which tends to feature soft shapes and floral motifs. Its fully faceted square shape, much like a miniature of the Palazzo, has a hole in the centre, similar to Rovereto’s Museo d’arte contemporanea’s chapel, which is one of Botta’s works.
WHERE Paris Nord Villepinte Exhibition Centre
René Lalique knew that the magic of his creations, Art Nouveau and Art Déco jewellery and crystal decorative objects, depended on reflection. Today, the company employs the eight best artisans in France. The artistic edition Geo, presented during January’s ‘Maison&Objet 2016’, perpetuates the ambitions of the company’s founding father. The architect Mario Botta is responsible for the Geo vases; he was inspired by Le Corbusier’s idea that architecture is, “…the magnificent play of masses brought together in light”. Ferrara’s Palazzo di Diamanti’s rustication served as inspiration for the series of 8 vases’ faceted surface. Geo is available in black and transparent versions, and stands out from the brand’s panorama, which tends to feature soft shapes and floral motifs. Its fully faceted square shape, much like a miniature of the Palazzo, has a hole in the centre, similar to Rovereto’s Museo d’arte contemporanea’s chapel, which is one of Botta’s works.
The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.