China has been both the largest importer of tropical hardwood and the biggest exporter of human hair. London-based design duo Studio Swine went to Shandong Province of China to follow the journey of hair, and they come up with a full collection of highly decorative objects, called Hair Highway. Objects were made out of hair and a natural resin, which then becomes a material that’s durable and also evokes natural patterns. The whole collection also sees influences from the Shanghai art deco style in the 1930s. Studio Swine also produces a short documentary film investigating the global hair industry in China, starting from people who sell their hair to hair merchants, markets and factories. Hair Highway reflects on China’s relationship with the rest of the world, while exploring the idea that trade has the ability to not only transport products but also values and perceptions.

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WHERE: Shandong province, Cina

China has been both the largest importer of tropical hardwood and the biggest exporter of human hair. London-based design duo Studio Swine went to Shandong Province of China to follow the journey of hair, and they come up with a full collection of highly decorative objects, called Hair Highway. Objects were made out of hair and a natural resin, which then becomes a material that’s durable and also evokes natural patterns. The whole collection also sees influences from the Shanghai art deco style in the 1930s. Studio Swine also produces a short documentary film investigating the global hair industry in China, starting from people who sell their hair to hair merchants, markets and factories. Hair Highway reflects on China’s relationship with the rest of the world, while exploring the idea that trade has the ability to not only transport products but also values and perceptions.

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The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.