Pulcina
2 September 2015
5 January 2015
The historic home of Stern’s engraving atelier, an icon of 19th/20th century Paris, has been converted into what is announced already as one of the most magical and surreal coffee shop bistros of the city. Caffè Stern, the sixth place of gastronomic worship of the Alajmo brothers (Massimiliano and Raffaele), was designed by the famous designer Philippe Starck, who created the interior and the lighting.
A cosy environment suspended between fairytale and tradition that has traits of innovative materials (some areas have suspended Candle Lights by Moritz Waldemeyer) is what characterises the interior of the caffè, where wooden panelling and engraving are mixed with stuffed animals (rabbits and foxes). Open from 8.30 am to midnight, you can pop by Stern in the morning for one of the many coffees selected by Gianni Frasi, a coffee roaster from the Jamaica Coffee Roasting Laboratory in Verona, or at lunch for a quick drink, or at dinner for a good Venetian liver with crispy polenta.
The historic home of Stern’s engraving atelier, an icon of 19th/20th century Paris, has been converted into what is announced already as one of the most magical and surreal coffee shop bistros of the city. Caffè Stern, the sixth place of gastronomic worship of the Alajmo brothers (Massimiliano and Raffaele), was designed by the famous designer Philippe Starck, who created the interior and the lighting.
A cosy environment suspended between fairytale and tradition that has traits of innovative materials (some areas have suspended Candle Lights by Moritz Waldemeyer) is what characterises the interior of the caffè, where wooden panelling and engraving are mixed with stuffed animals (rabbits and foxes). Open from 8.30 am to midnight, you can pop by Stern in the morning for one of the many coffees selected by Gianni Frasi, a coffee roaster from the Jamaica Coffee Roasting Laboratory in Verona, or at lunch for a quick drink, or at dinner for a good Venetian liver with crispy polenta.
The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.