Designer Mosaics
15 September 2016
29 September 2016
The exhibition, “Ho visto un re” was inaugurated September 19 in Milan’s Palazzo Reale; its name comes from an Enzo Jannacci song, set to the words of Dario Fo. “Ho visto un re” was curated by Davide Quadrio and Massimo Torrigiani, and included nine artists that interpreted Alcantara, a new generation of material that is not a textile, but chemically created to resemble a sort of velvet used in furnishings, interiors, fashion and accessories.
The exhibition was divided into thematic installations that followed a series of imaginary atmospheres, emblematically transformed thanks to a series of mobile panels of exotic images, like those of Francesco Simeti, which depict Marco Polo’s voyage to Xanadu. Designer Arthur Arbesser depicted the story of the Frog Prince with a fountain covered in Alcantara printed with clouds, and the Emperor’s New Clothes with six, life-sized chess pieces bearing Alcantara accessories that he designed.
WHERE: Piazza del Duomo, 12, Milano
The exhibition, “Ho visto un re” was inaugurated September 19 in Milan’s Palazzo Reale; its name comes from an Enzo Jannacci song, set to the words of Dario Fo. “Ho visto un re” was curated by Davide Quadrio and Massimo Torrigiani, and included nine artists that interpreted Alcantara, a new generation of material that is not a textile, but chemically created to resemble a sort of velvet used in furnishings, interiors, fashion and accessories. The exhibition was divided into thematic installations that followed a series of imaginary atmospheres, emblematically transformed thanks to a series of mobile panels of exotic images, like those of Francesco Simeti, which depict Marco Polo’s voyage to Xanadu. Designer Arthur Arbesser depicted the story of the Frog Prince with a fountain covered in Alcantara printed with clouds, and the Emperor’s New Clothes with six, life-sized chess pieces bearing Alcantara accessories that he designed.
The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.