Crafted Modernity
7 February 2017
14 July 2016
New York’s Metropolitan Museum is showing a superb exhibition of 170 avant garde prêt-à-porter and haute couture pieces that highlight the relationship between handmade and machine made, pointing out the fertile, modern unity between artisan approach and technology in fashion. Curator Andrew Bolton expains that the collection dispels the dichotomy of hand and machine manufactuing, proposing a new paradigm for our digital age.
Shohei Shigematsu, director of OMA New York, designed a series of textile alcoves to house each piece, bringing attention to their texture and sartorial details. The vast selection includes iconic clothing from international stylists and luxury brands, and represents an exhaustive panoramic of modern fashion, showing how artisan skill and technology join together to make wearable masterpieces.
WHERE: 1000 5th Ave, New York, NY 10028, Stati Uniti
New York’s Metropolitan Museum is showing a superb exhibition of 170 avant garde prêt-à-porter and haute couture pieces that highlight the relationship between handmade and machine made, pointing out the fertile, modern unity between artisan approach and technology in fashion. Curator Andrew Bolton expains that the collection dispels the dichotomy of hand and machine manufacturing, proposing a new paradigm for our digital age. Shohei Shigematsu, director of OMA New York, designed a series of textile alcoves to house each piece, bringing attention to their particular textures and sartorial details. The vast selection includes iconic clothing from international stylists and luxury brands, and represents an exhaustive panoramic of modern fashion, showing how artisan skill and technology join together to make wearable masterpieces.
The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.