The peculiarities of St. Ermin’s Hotel
28 December 2015
15 October 2015
The exuberant Portuguese artist Joana Vasconcelos, in her recent exhibition at the Phillips gallery in London (August 2015) has put on show a series of works in small format, similar to ex voto, ideal protagonist of votive chapels, the sacred Wunderkammer, frequent in Portuguese sanctuaries. From baroque frames, also in the form of a heart, gush tangles of trimmings, elaborate weavings of beads hang from the ceilings and crocheted trophies, punctuated with coloured pearls, decorate geometric compositions covered with coloured tiles. Once again Joana creates wonders, crocheting different-colour threads together. Her art form amazes people, despite adopting what is considered a humble woman’s craft, such as knitting and crochet. Her installations are not the result of heroic gestures but the result of the patient work of everyday women who collaborate with her in the weaving, day after day, of prodigies.
WHERE: Phillips Gallery, 30 Berkeley Square, London W1J 6EX, UK
The exuberant Portuguese artist Joana Vasconcelos, in her recent exhibition at the Phillips gallery in London (August 2015) has put on show a series of works in small format, similar to ex voto, ideal protagonist of votive chapels, the sacred Wunderkammer, frequent in Portuguese sanctuaries. From baroque frames, also in the form of a heart, gush tangles of trimmings, elaborate weavings of beads hang from the ceilings and crocheted trophies, punctuated with coloured pearls, decorate geometric compositions covered with coloured tiles. Once again Joana creates wonders, crocheting different-colour threads together. Her art form amazes people, despite adopting what is considered a humble woman’s craft, such as knitting and crochet. Her installations are not the result of heroic gestures but the result of the patient work of everyday women who collaborate with her in the weaving, day after day, of prodigies.
WHERE: Phillips Gallery, 30 Berkeley Square, London W1J 6EX, UK
The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.