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Nulla dies sine linea

8 February 2017

Cristina Morozzi

by

Antonio Marras’ solo exhibition in Milan’s Triennale, “Nulla dies sine linea”, was a dynamic presentation curated by Francesca Alfano Miglietti. The rustically, almost military-inspired garments were worn by wandering models who mixed with the crowd, stopping now and then to create tableaux vivants, as if frozen by Medusa’s glare. Marras’ men are not dandy gents or soldiers, but shepherds and farmers that ward of wolves instead of war with their rifles.

Where: La Triennale, Viale Alemagna 6, 20121 Milano

Antonio Marras’ solo exhibition in Milan’s Triennale, “Nulla dies sine linea”, was a dynamic presentation curated by Francesca Alfano Miglietti. The rustically, almost military-inspired garments were worn by wandering models who mixed with the crowd, stopping now and then to create tableaux vivants, as if frozen by Medusa’s glare. Marras’ men are not dandy gents or soldiers, but shepherds and farmers that ward of wolves instead of war with their rifles.

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The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.