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Ornamental collection

1 October 2015

Cristina Morozzi

by

The fashion house Versace strengthens its ties with the city of Milan(which saw its birth in 1978) with a collection of accessories “Ornamental”, invaded by a decor in bright tones, inspired by the Galleria Vittorio Emanuele, to whose restoration Versace contributed and that will soon house a new boutique in the octagon. The Ornamental collection includes items for men and women, a selection of textiles and a range of accessories, bags, document holders and sneakers covered in patterned fabric inspired by the octagon dome and decorated with gilt scrolls typical of the fashion house and with the classic golden Medusa , which becomes the iconic buckle, both on shoes and bags.
Once again Versace leaves an unmistakable mark in the world of decoration, reiterating with shrewdness its classic golden designs on the background of infinite shades of red, using black geometries that design the structure of the dome.

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WHERE: Galleria Vittorio Emanuele II Milano

The fashion house Versace strengthens its ties with the city of Milan(which saw its birth in 1978) with a collection of accessories “Ornamental”, invaded by a decor in bright tones, inspired by the Galleria Vittorio Emanuele, to whose restoration Versace contributed and that will soon house a new boutique in the octagon. The Ornamental collection includes items for men and women, a selection of textiles and a range of accessories, bags, document holders and sneakers covered in patterned fabric inspired by the octagon dome and decorated with gilt scrolls typical of the fashion house and with the classic golden Medusa , which becomes the iconic buckle, both on shoes and bags.
Once again Versace leaves an unmistakable mark in the world of decoration, reiterating with shrewdness its classic golden designs on the background of infinite shades of red, using black geometries that design the structure of the dome.
WHERE: Galleria Vittorio Emanuele II Milano

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The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.