Precious Insects
10 March 2016
10 March 2016
Dimmed lights and an old-style environment give Tel Aviv’s Cameo Lounge the perfect retro atmosphere. The restaurant and dance-club is found in the HaTachana area, the retired train station that is known today as a hot spot for shopping and dining. Nir Ran Studio Bold (along with Shachar Weiss), designed the internal spaces, defining separate baroque and contemporary areas. The restaurant portion of the location features paintings of baroque models that rotate, creating little scenes that together, divide the dining room. The wall with back-lit shelves is filled with fine liquor, another strong point of the room. The space continues outside, and is completely different from the inside dining area; it is illuminated thanks to the pale colour palette of the furniture. Cameo specializes in Mediterranean cuisine, and is famous for its DJ sets and nightlife.
WHERE: The station area, Tel Aviv, Israel
Dimmed lights and an old-style environment give Tel Aviv’s Cameo Lounge the perfect retro atmosphere. The restaurant and dance-club is found in the HaTachana area, the retired train station that is known today as a hot spot for shopping and dining. Nir Ran Studio Bold (along with Shachar Weiss), designed the internal spaces, defining separate baroque and contemporary areas. The restaurant portion of the location features paintings of baroque models that rotate, creating little scenes that together, divide the dining room. The wall with back-lit shelves is filled with fine liquor, another strong point of the room. The space continues outside, and is completely different from the inside dining area; it is illuminated thanks to the pale colour palette of the furniture. Cameo specializes in Mediterranean cuisine, and is famous for its DJ sets and nightlife.
The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.