Society Limonta
13 January 2017
10 February 2016
Nikolai and Simon Haas, odd brothers from Los Angeles, continue their aesthetic movement. For the Design Triennale “Beauty”, at the Coopere Hewitt Museum in New York, they collaborated with “the Haas sisters” (a group of women artisans from Khayelitsha, a suburb of Cape Town, who earned the nickname thanks to their work with the brothers), to create a collection of colourful hybrid characters. They were a mix between animals and imaginary creatures, beaded fabric, expertly executed works like the rainbow-striped stocky pony, covered in tiny beads, or the joining of a pig to a cat in pink pearls, with a metal beak and two, large yellow ears. The desecrating designs of the Haas brothers causes the traditional South African skill to lose its ethnicity and enter a new playful and visionary dimension.
DOVE: 2 E 91st St, New York, NY 10128, United States
Nikolai and Simon Haas, odd brothers from Los Angeles, continue their aesthetic movement. For the Design Triennale “Beauty”, at the Coopere Hewitt Museum in New York, they collaborated with “the Haas sisters” (a group of women artisans from Khayelitsha, a suburb of Cape Town, who earned the nickname thanks to their work with the brothers), to create a collection of colourful hybrid characters. They were a mix between animals and imaginary creatures, beaded fabric, expertly executed works like the rainbow-striped stocky pony, covered in tiny beads, or the joining of a pig to a cat in pink pearls, with a metal beak and two, large yellow ears. The desecrating designs of the Haas brothers causes the traditional South African skill to lose its ethnicity and enter a new playful and visionary dimension.
The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.