Joyce J. Scott, a native of Baltimore, is a storyteller. She does not use words, but coloured beads with which she weaves elaborate figurative neckpieces. Rich in stylized images of plants and animals, they tell family stories with a good measure of humour. In her talented hands, ornaments transcend pure decorative value to become social commentary and denunciation. Her signature style is placed at the intersection between art and craft, between sophistication and naïveté.
Organized by MAD’s Chief Curator Lowery Stokes Sims from 4 September 2014 to 15 March 2015, the Museum of Art and Design in New York, an inspired museum of applied arts, devotes a large exhibition to Scott’s creations. The exhibition features 34 neckpieces along with 13 sculptures in Murano glass, highlighting the variety of her sources of inspiration ranging from theatre studies, textile design, to research on Native American cultures and in particular peyote stitching used by Native Americans.

JoyceScott_MAD_NewYork
JoyceScott_ForHim_Madmuseum_beads
JoyceScott_Defrost-Neckpiece
_JoyceScott_Lewd-beads
JoyceScott-Family_beads
JoyceScott_Virgin-of-Guadalupe
JoyceScott-White-Tongue_beads

WHERE: 2 Columbus Circle, New York, NY 10019

Joyce J. Scott, a native of Baltimore, is a storyteller. She does not use words, but coloured beads with which she weaves elaborate figurative neckpieces. Rich in stylized images of plants and animals, they tell family stories with a good measure of humour. In her talented hands, ornaments transcend pure decorative value to become social commentary and denunciation. Her signature style is placed at the intersection between art and craft, between sophistication and naïveté.
Organized by MAD’s Chief Curator Lowery Stokes Sims from 4 September 2014 to 15 March 2015, the Museum of Art and Design in New York, an inspired museum of applied arts, devotes a large exhibition to Scott’s creations. The exhibition features 34 neckpieces along with 13 sculptures in Murano glass, highlighting the variety of her sources of inspiration ranging from theatre studies, textile design, to research on Native American cultures and in particular peyote stitching used by Native Americans.
WHERE: 2 Columbus Circle, New York, NY 10019

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The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.