Naughty Objects
11 November 2014
28 January 2016
The Hotel Exquis, located in the 11th arrondissement, is a parallel world in Paris. The interior was created by the designer Julie Gauthron, and plays on daring pairings and the reuse of vintage furniture. The Exquis has been defined by its owners as a “surreal hotel”, and reflects the passion of this artistic movement in its casual approach and automatic creation; its stylistic freedom is its strong point. The 42 rooms are divided into eight different categories, including “intimate”, “timeless”, “unusual” and “original”, and present spectacular uses of vintage pieces, including sewing machine tables as desks, and television stands as sink bases. The furniture was purchased at the Saint Ouen flea market, in the northern part of Paris, much of which are one-of-a-kind pieces. What really catches the eye in each room, however, is the artwork from the Surrealist school of cadavre exquis, made by couples of street artists and creatives.
WHERE: 71 rue de Charonne, 75011 Paris, France
The Hotel Exquis, located in the 11th arrondissement, is a parallel worls in Paris. The interior was created by the designer Julie Gauthron, and plays on daring pairings and the reuse of vintage furniture. The Exquis has been defined by its owners as a “surreal hotel”, and reflects the passion of this artistic movement in its casual approach and automatic creation; its stylistic freedom is its strong point. The 42 rooms are divided into eight different categories, including “intimate”, “timeless”, “unusual” and “original”, and present spectacular uses of vintage pieces, including sewing machine tables as desks, and television stands as sink bases. The furniture was purchased at the Saint Ouen flea market, in the northern part of Paris, much of which are one-of-a
The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.