The Nilufar warehouse
30 April 2015
17 December 2014
From 3rd December 2014 to 11th January, 2015, the Triennale DesignCafè hosts a blooming of tin flowers with a long stem. This exhibition is the tribute to Gherardo Frassa, curated by Silvana Annichiarico, director of the Triennale Design Museum, titled “It’s not a rose, it’s not a tulip”.
The exhibition gathers the Futurist flowers created by Frassa in 1986, up to the very last work of this nonconformist artist, who practiced incursions into the worlds of art, design, fashion and crafts.
Tin flowers, the last project to which Frassa dedicated himself, collects creations of his painter, sculptor and architect friends, including Andrea Branzi, Pierluigi Cerri, Aldo Cibic, Sergio Calatroni.
“Tin Flowers” has become a brand, Fiori di Latta, (the logo was designed with the artist Emilio Tadini) and came to life in 2010, with new contributions from artists, designers and graphic designers, to offer perennial stylised flowers, ideal for decorating environments of every era and style.
From 3rd December 2014 to 11th January, 2015, the Triennale DesignCafè hosts a blooming of tin flowers with a long stem. This exhibition is the tribute to Gherardo Frassa, curated by Silvana Annichiarico, director of the Triennale Design Museum, titled “It’s not a rose, it’s not a tulip”.
The exhibition gathers the Futurist flowers created by Frassa in 1986, up to the very last work of this nonconformist artist, who practiced incursions into the worlds of art, design, fashion and crafts.
Tin flowers, the last project to which Frassa dedicated himself, collects creations of his painter, sculptor and architect friends, including Andrea Branzi, Pierluigi Cerri, Aldo Cibic, Sergio Calatroni.
“Tin Flowers” has become a brand, Fiori di Latta, (the logo was designed with the artist Emilio Tadini) and came to life in 2010, with new contributions from artists, designers and graphic designers, to offer perennial stylised flowers, ideal for decorating environments of every era and style.
The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.