An underwater, bamboo abyss
1 September 2016
10 March 2016
Studio Job has illustrated “total decoration” with their wallpaper collection, Archives, which was the 2015 winner of Elle Decoration’s International Design Award. The collection features patterns created by Studio Job, multiplied with an almost obsessive rhythm that emphasizes surface decoration, one of the building blocks of an interior. Job Smeets states that, “wallpaper is an art form whose rational price is measured by the square meter; with this wallpaper, you no longer need any paintings.” The “Archive” collection is being manufactured by the Dutch company, NLXL. The maniacal, meticulous design of these elaborate patterns represents the consecration of surface decoration, which has come back in style after being condemned by modernism’s complete candor.
WHERE: Studio Job BV, Heliosstraat 10, Tilburg, The Netherlands
Studio Job has illustrated “total decoration” with their wallpaper collection, Archives, which was the 2015 winner of Elle Decoration’s International Design Award. The collection features patterns created by Studio Job, multiplied with an almost obsessive rhythm that emphasizes surface decoration, one of the building blocks of an interior. Job Smeets states that, “wallpaper is an art form whose rational price is measured by the square meter; with this wallpaper, you no longer need any paintings.” The “Archive” collection is being manufactured by the Dutch company, NLXL. The maniacal, meticulous design of these elaborate patterns represents the consecration of surface decoration, which has come back in style after being condemned by modernism’s complete candor.
The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.