Studio Job has illustrated “total decoration” with their wallpaper collection, Archives, which was the 2015 winner of Elle Decoration’s International Design Award. The collection features patterns created by Studio Job, multiplied with an almost obsessive rhythm that emphasizes surface decoration, one of the building blocks of an interior. Job Smeets states that, “wallpaper is an art form whose rational price is measured by the square meter; with this wallpaper, you no longer need any paintings.” The “Archive” collection is being manufactured by the Dutch company, NLXL. The maniacal, meticulous design of these elaborate patterns represents the consecration of surface decoration, which has come back in style after being condemned by modernism’s complete candor.

Studio-Job-Total-Decoration_3
Perished, una delle carte da parati della collezione Archives firmata da Studio Job e prodotta da NLXL
Interior dello studio NLXL in Olanda, decorato con carta da parati della serie Archives.
Disegni archetipici e simboli universali colorano l’Afrique, una delle carte da parati firmate da Studio Job e prodotte da NLXL

WHERE: Studio Job BV, Heliosstraat 10, Tilburg, The Netherlands

Studio Job has illustrated “total decoration” with their wallpaper collection, Archives, which was the 2015 winner of Elle Decoration’s International Design Award. The collection features patterns created by Studio Job, multiplied with an almost obsessive rhythm that emphasizes surface decoration, one of the building blocks of an interior. Job Smeets states that, “wallpaper is an art form whose rational price is measured by the square meter; with this wallpaper, you no longer need any paintings.” The “Archive” collection is being manufactured by the Dutch company, NLXL. The maniacal, meticulous design of these elaborate patterns represents the consecration of surface decoration, which has come back in style after being condemned by modernism’s complete candor.

 

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The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.