Back to table of contents of "Transparencies"

Transparencies

N.5 of February 5th, 2015

Cristina Morozzi

Editorial by

It is dedicated to transparency, a quality of matter and soul, the fifth episode of The Moodboarders Magazine. Transparency was fatal to Narcissus, who, in love with his own image, fell into the waters of the stream in which he was looking at his reflected image. And transparency is that quality, that attribute, rarer and rarer, of the beautiful souls. It is the fine quality of materials such as glass and fabric and it sounds, in a period of conspiracies and mysteries, which is as an invitation to clarity and honesty.
We present transparency in some exemplary items of design and architecture in glass, the transparent material par excellence, and a sequence of spaces, divided by metal grilles, which draw Mannerist perspectives.

Cristina Morozzi

Editor-in-chief
editor@themoodboarders.com/old

trasparencies editorial

It is dedicated to transparency, a quality of matter and soul, the fifth episode of The Moodboarders Magazine. Transparency was fatal to Narcissus, who, in love with his own image, fell into the waters of the stream in which he was looking at his reflected image. And transparency is that quality, that attribute, rarer and rarer, of the beautiful souls. It is the fine quality of materials such as glass and fabric and it sounds, in a period of conspiracies and mysteries, which is as an invitation to clarity and honesty.
We present transparency in some exemplary items of design and architecture in glass, the transparent material par excellence, and a sequence of spaces, divided by metal grilles, which draw Mannerist perspectives.
Editor-in-chief
editor@themoodboarders.com/old

Back to table of contents of "Transparencies"
Close
Go top

The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.