Florentina: Reinassance 2.0
1 October 2015
7 April 2016
Meet My Project is a French organization, whose purpose is to promote contemporary art within the country as well as internationally. Their collective exhibitions feature projects that are innovative in their concepts and materials, all carefully curated with passionate dedication by Francesco Pirello. “We are social animals” will be presented in Palazzo Gorani, on Via Gorani 6, in the 5 Vie district. The 35 artists come from 20 different countries, including Ariel Rojo from Mexico, Chen Min’s Atlier, By Making from Trinidad, Fdn from Peurto Rico, South Korea’s Shon, the Finnish studio Haekkinen, and the Brasilian, Patricia Lascano. This creative melting pot helps us to understand the current artistic tendencies throughout the world, that despite globalization, reveal distinct ethnic characteristics that make up a repertoire that varies both in typology and form.
WHERE: via Gorani 6, Milano
Meet My Project is a French organization, whose purpose is to promote contemporary art within the country as well as internationally. Their collective exhibitions feature projects that are innovative in their concepts and materials, all carefully curated with passionate dedication by Francesco Pirello. “We are social animals” will be presented in Palazzo Gorani, on Via Gorani 6, in the 5 Vie district. The 35 artists come from 20 different countries, including Ariel Rojo from Mexico, Chen Min’s Atlier, By Making from Trinidad, Fdn from Peurto Rico, South Korea’s Shon, the Finnish studio Haekkinen, and the Brasilian, Patricia Lascano. This creative melting pot helps us to understand the current artistic tendencies throughout the world, that despite globalization, reveal distinct ethnic characteristics that make up a repertoire that varies both in typology and form.
The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.