Drink japanese at the Izakaya Kinoya
28 May 2015
4 December 2014
The imperative is to travel light, yet wardrobes and trunks are back in fashion. Louis Vuitton, who built his name and fortune on luggage, proposes them mini-sized, to be worn over the shoulder instead of handbags. But there is also a designer with a nomadic soul who conceives them as household containers. Gian Paolo Venier from Trieste, possessing the traveller’s spirit like all inhabitants of great ports, created a series of large wardrobes to use instead of cabinets and chests of drawers, relying on the expertise of skilled craftsmen. With coloured exterior finishing and walnut interiors, once open they reveal specialised equipment for storing clothes and accessories, leaving nothing to be desired with respect to classic wardrobes. Functional like the classical furniture, they offer a taste of nostalgia linked to the era of the grand travellers of the last century, projecting the charm of adventure over permanence.
The imperative is to travel light, yet wardrobes and trunks are back in fashion. Louis Vuitton, who built his name and fortune on luggage, proposes them mini-sized, to be worn over the shoulder instead of handbags. But there is also a designer with a nomadic soul who conceives them as household containers. Gian Paolo Venier from Trieste, possessing the traveller’s spirit like all inhabitants of great ports, created a series of large wardrobes to use instead of cabinets and chests of drawers, relying on the expertise of skilled craftsmen. With coloured exterior finishing and walnut interiors, once open they reveal specialised equipment for storing clothes and accessories, leaving nothing to be desired with respect to classic wardrobes. Functional like the classical furniture, they offer a taste of nostalgia linked to the era of the grand travellers of the last century, projecting the charm of adventure over permanence.
The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.