The ‘bedroom look’ which Uman has featured in the shop window in via Gesù, Stefano Pilati, Zegna’s designer, has taken on the road, presenting for spring 2016 soft, flowing coats with large Scottish patterns. similar to dressing gowns in a range of unusual colours from lilac to mustard; and then white linen suits, almost like pyjamas with transparent shirts doubled with large pockets, daring even pink for outerwear to be worn with a double-breasted Scottish jacket.

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Il Designer del Brand Ermenegildo Zegna, Stefano Pilati, propone, per la primavera estate 2016, una collezione nel segno della sartorialità, con un mood informale e rilassato.

Zegna, having abandoned the formal rigor, announces a spring 2016 collection for men, which is softer and flowing in look with pastel colours; this on the wave of the revolution promoted by Alessandro Michele, the new promise of Gucci, who has devoted his first fashion show to the transgender, mixing, with wisdom, male and female.

Il più classico trench, must have della prossima stagione, è rivisitato nell’utilizzo del madras, con maxi tasche e particolari decorativi.
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Where: Milano – Piazza Duomo 1, 20121

The ‘bedroom look’ which Uman has featured in the shop window in via Gesù, Stefano Pilati, Zegna’s designer, has taken on the road, presenting for spring 2016 soft, flowing coats with large Scottish patterns. similar to dressing gowns in a range of unusual colours from lilac to mustard; and then white linen suits, almost like pyjamas with transparent shirts doubled with large pockets, daring even pink for outerwear to be worn with a double-breasted Scottish jacket.
Zegna, having abandoned the formal rigor, announces a spring 2016 collection for men, which is softer and flowing in look with pastel colours; this on the wave of the revolution promoted by Alessandro Michele, the new promise of Gucci, who has devoted his first fashion show to the transgender, mixing, with wisdom, male and female.
Where: Milano – Piazza Duomo 1, 20121

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The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.